A body of work

The Boobless Project

Special edition Cortado Cups, born from a choice to go flat after a high-risk diagnosis.

Kathleen wearing her gilded kintsugi scars

In the spring of 2025, a routine mammogram turned up an area of calcification in my left breast. A needle biopsy led to a diagnosis of atypical ductal hyperplasia, which led to an excisional biopsy to remove the cells and the tissue around them. My wonderful breast surgeon enrolled me in a high-risk clinic and explained what the diagnosis meant: a lifetime risk of breast cancer approaching 40 percent.

From there I had two paths. One was vigilance — screenings every six months, alternating between mammograms and MRIs. The other, available to me because of my risk, was a prophylactic double mastectomy.

I spent the summer talking it through with Phillip and doing a frankly ridiculous amount of research. In the end I knew my anxiety couldn’t live with the twice-a-year uncertainty. And a mastectomy was where I’d end up anyway if a screening ever found cancer.

After meeting with several plastic surgeons about reconstruction options, I chose Aesthetic Flat Closure. It came down to a few things. AFC is the most straightforward of the reconstruction options, with fewer surgeries and easier recovery. And I’ll admit that the promise of never having to wear a bra again was very, very appealing.

As I pictured life and my body following my flat closure, one word kept surfacing: boobless. Which brought back old memories of the calculator games we played in middle school — the ones where some carefully chosen math problem spelled out 5318008. “Ooooh… you spelled BOOBIES!” And, naturally, its more refined cousin: 55378008. BOOBLESS.

The special-edition Cortado Cups with gilded seams

And what do artists do with all of it, the uncertainty, fear, and emotions? We pour it into the work. The middle-school jests were stamped into clay, and The Boobless Project began.

I also took inspiration from kintsugi, the Japanese art of mending broken pottery with gold, and the idea that a thing can be more beautiful for having been broken. A wonderfully talented local photographer captured me in a series of photos wearing my own gilded kintsugi scars.

Limited-edition regular and gilded Cortado Cups are now available, and the net proceeds will be donated to Going Beyond the Pink, a local organization supporting women facing breast cancer here in our community. Kintsugi-inspired Make Your Own Fortune Sets will be arriving fall 2026.

Thank you to Dr. Emily Marcinkowski, Anna, and Amber at Wilmington Surgical Associates and Dr. Adam Glener, Bethany, and Robin at Wilmington Plastic Surgery for their care and compassion; and Alisha Browne with Atlantic Boudoir for the wonderful experience and photos.

Giving back

All net proceeds from the cups and the special-edition Make Your Own Fortune Sets go to Going Beyond the Pink, a local organization supporting women facing breast cancer here in our community.

  • A handmade pink speckled clay ceramic cup by Kathleen Kalish Ceramics with mint green glaze. Stamped with 55378008. For the Boobless Project helping breast cancer.

    Cortado Cups

    Special edition Cortado Cups, hand-thrown and hand-stamped in the studio. Your choice of BOOBLESS or BOOBIES.

    Shop the cups 
  • A handmade pink speckled clay ceramic cup by Kathleen Kalish Ceramics with green glaze. Stamped with 55378008 and decorated with gold luster. For the Boobless Project helping breast cancer.

    Gold Cortado Cups

    Special edition Cortado Cups with 22k gold embellishments. Your choice of BOOBLESS or BOOBIES.

    Shop the cups 
  • Close up of hands while making a clay fortune cookie by Kathleen Kalish Ceramics.

    Make Your Own Fortune Set

    Special edition Make Your Own Fortune Set with kintsugi fortune cookies, the gilded scars echoed on each.

    Coming Soon 

All net proceeds to Going Beyond the Pink.